If she gets hit, she is pretty much dead meaning that players need to waste valuable healing items on her due to bad AI’s tactics. There’s got to be a better way to implement her in the remake like negating damage like Ellie in The Last of
We only see Princess Zelda fall into a pit in the trailer, presumably descending deeper into the castle’s inner sanctum. Can’t she just climb back out, or is she stuck there until we fish her back out once the final boss is dealt with? I sincerely hope it’s the former, or Nintendo is throwing us a red herring and the true circumstances of the narrative are being cleverly hidden from view. The company has said it’s holding the true title back for Breath of the Wild 2 in fear of spoilers, and the skyward version of Link only ever being framed from the back has convinced me it is another character entir
The real wildcard is the new landmass that floats in the sky, a location that could throw everything we know out the window and incorporate a playstyle that is completely different from anything we’ve seen before. Link ( or could it be Ganon or Zelda? ) is capable of morphing through solid objects and flying through the air, so perhaps the need for climbing is obsolete in these circumstances. There are so many questions, but even now it seems Nintendo is acknowledging some of the previous game’s flaws and instead of removing them, is introducing diverse new gameplay ideas that provide other avenues of movement and traversal. Don’t just ditch the encumbrance of climbing in the rain or fragile weapons – instead, provide alternate ways of movement and combat that force you to rethink previously frustrating moments in a new way. Blatant removal feels like cowardice.
Despite Breath of the Wild being recognised as a masterpiece, its storytelling aspects are one of its most criticised elements. Given the nature of its narrative, and how Link finds himself awakening a century after the world began to fall apart, it’s natural that a number of critical characters have either perished, moved on, or just aren’t part of the picture anymore. It’s a lonely game, but deliberately so.
Princess Zelda is busy holding back Calamity Ganon in Hyrule Castle, locked in a state of immortality as she tries her best to save the land from ruin. You can either embark on a journey to recruit allies and reclaim the Divine Beasts or simply dick around for hundreds of hours. Ultimately, it’s up to you, and thus any sense of urgency tied to the plot is lost. Player agency is the most important thing here, so for better or worse, the story takes a backseat until you’re ready to tackle it. A number of main characters like Sidon, Riju, and Purah can be found across the game’s major cities, but they’re mostly passive. They’ll initiate cutscenes and dialogue to push the plot forward once you engage with them, but up to that point, survival horror remakes they just sort of exist, rarely influencing the world until you decide to acknowledge they even exist.
Breath of the Wild is so special because every moment feels like a discovery you made on your own terms. A mixture of basic yet impactful abilities like stopping time and lifting metal objects allows you to play with the game’s definition of physics in ways that are still being discovered to this day. You can build a chain of metal weapons and charge them with lightning to activate a distant switch instead of following the traditional solution, showing that the game’s systems are built to be toyed with and taken advantage of in ways that have near limitless potential. Nobody will play Breath of the Wild in the same way, and given the open world genre largely remains defined by chasing down icons and completing repetitive objectives, this is a breath of fresh air that remains unmatched. You could argue « it doesn’t feel like Zelda » because its dungeon design abandons tradition, but the rewarding discoveries of Breath of the Wild are intentionally spread throughout the entirety of Hyrule.
Tears of the Kingdom is one of the biggest landmark achievements in gaming, building up on the success of Breath of the Wild and making its predecessor feel like a tech demo in many ways. The integration of Ultrahand is easily one of the most innovative modern mechanics open-world gaming has seen in quite some time, showing how graphics isn’t something that should be the major focus in an era where gameplay can be innovated to such a massive ext
Other rumors suggest Resident Evil 4 will get the remake treatment next. Is that necessary? It has been ported numerous times in various HD quality enhancements. That said, some things cannot be fixed with mere graphical makeovers. So if the game really is getting remade , here are some things Capcom should, and should not, do with
With the release of the Resident Evil 3 __ remake, fans are wondering what’s coming next. Will Capcom release Resident Evil VIII ? It has been three years since its predecessor launched in 2017. Rumors are already swirling about the game suggesting that it could be even more drastically different from Resident Evil V
